Hello ♡

inboxideas:

submitted by anonymous.

rpmemes-galore:

send   “ look at me. “   for my muse’s reaction to yours grabbing mine by the chin and forcing mine to look at them during a tense / highly emotional moment. 

tsukareta-tamashii:

{ @rosydreamiing liked for a high starter }

“Oh shoot - sorry, didn’t think anyone was going to be here.” Mostly because it’s pretty late and most people are out partying somewhere around this time. Why is Eddie here? Well, he’d originally come to chill and smoke, but seeing as he seems to have found company - who knows? He’d startled her for sure too. Having stepped on a small branch and it snapping. “Didn’t mean to scare you.” Though she’d startled him pretty good too. Likely a bit jumpy over already being high and happening upon someone unexpectedly.

“No, it’s okay — “ She chuckles nervously, still slightly taken aback by his presence. Of course, it’s not like Aurora alone knew about Skull Rock - it was a popular spot for people their age, whether they came to just be at peace, make out or do something they shouldn’t - but like Eddie, she had assumed everyone else had something far more interesting to do on a Friday night. “I’m sorry, do you want me to leave, or…?” After all, there’s forest all around. She could always find her own little rock to sit on and wind down.

starversresource:

“we’re horribly lost in the woods and it’s dangerous” roleplay prompts.

sentences.

• “oh—i never thought i’d see someone out here! i’m relieved, i thought i was going to go mad!”
• “i’m glad we crossed paths. see, i’m in a lot of trouble right now…”
• “i saw you fall into that spiky bush. are you hurt?”
• “oh no, they’re coming. what do we do?”
• “did you seriously trip over a dead tree?”
• “what kind of wildlife do you think lives here?”
• “hah! i hope you get eaten alive.”
• “you’re not going to last a day here.”
• “follow me. now.”
• “do you know what plants are safe to eat?”
• “AH! who are you?”
• “i guess we should work together. but only temporarily!”
• “don’t get close to it. it’s far more dangerous than it looks.”
• “can you help me? i’m lost.”
• “i—i think i’m about to pass out.”
• “wait, don’t touch that plant!”
• “does the forest hate us or something?”
• “nature sucks.”
• “hey, chill out! i just saw the smoke from your fire and was curious.”
• “things around here are more scared of us than we are of them, right?”
• “let’s cooperate. what do you need help with?”
• “how long have you been out here?”
• “the only people i saw around here were… you know.”
• “i don’t like that sound.”
• “we’re eating well tonight.”
• “waking up to the sound of birds and wildlife… isn’t it great?”
• “hey. what do you think of that star over there? the one by the moon.”
• “it’s getting cold… i hope it won’t get us sick.”

actions.

• [ GRAB. ] sender grabs receiver’s shoulder and pulls them back.
• [ AMBUSH. ] sender leaps out from behind cover and tackles receiver.
• [ RAID. ] sender goes through receiver’s supplies, unaware that receiver is watching.
• [ COLLAPSE. ] sender stumbles into receiver’s camp, out of breath, and falls to their knees and palms.
• [ ASSISTANCE ] sender extends a hand to receiver to help them stand up or support them.
• [ INTERVENE ] sender puts themself between receiver and a threat.
• [ FLORA ] sender hands receiver a harmless plant—a flower, edible berries, etc.
• [ FAUNA ] sender suddenly stops, carefully motioning in the direction of an animal.
• [ DISENGAGE ] sender raises their hands and shakes their head, assuring they are not a threat to receiver.
• [ PLEAD ] sender grabs receiver’s arm/leg, desperately trying to drag receiver somewhere.
• [ HOSTILE ] sender grits their teeth and points their weapon at receiver.
• [ POISON ] sender hands receiver a plant that would be harmful to ingest.
• [ HUG ] sender wraps their arms around receiver and presses against them for warmth.
• [ FINE ] sender waves at receiver dismissively, trying to dismiss receiver’s worry.
• [ REFUSE ] sender shakes their head at receiver, backing away.
• [ YOU FIRST ] sender pushes receiver ahead of them, making sure to linger a few paces behind receiver.
• [ ME FIRST ] sender shoves receiver aside, pointedly walking in front of receiver.
• [ HELPFUL ] sender picks up a helpful resource, tapping receiver’s arm to get their attention on the object.

tsukareta-tamashii:

rosydreamiing:

tsukareta-tamashii:

Bruises and Bruising

@rosydreamiing said: [stay] – sender offers receiver a place to stay, so that – wherever they got these bruises – they don’t have to go back. @ Billy ;–;

One would have thought that something so horrible happening to him and his surviving would have maybe opened his father’s eyes, gotten him to at least try to get the fuck over himself. But even as Billy was in the hospital in poor condition? His father had been more than cruel, blaming him for stress put on the family instead.

It didn’t stop upon his release. Max’s mother divorced his father so at least they’re out of the fire - even if they’re stuck living in a trailer now. It’s better than living with his dad, right? At least Billy thinks so. Especially when his and his father’s interaction had become purely violent in nature. He couldn’t take it. Couldn’t take the fights anymore - he’s fucking tired and has had more than enough. Definitely with their last fight; Ending with both of them covered in various bruises among other things.

After this fight? Billy decided enough was enough - packed his shit in his car to go who the fuck knows where. Not out of Hawkins, but he just wants to get away from his father. Feel some kind of freedom despite the fact he’s doomed himself to living out of his car. That is, until a familiar face has stumbled upon him. Unsurprisingly, the same spot that they’d met at. Only this time is condition is awful; A bruise along his right eye and cheek bone, various other bruises that were surely forming and darkly among a busted lip.

Before Billy knows it, he’s being offered a place to stay. It felt like a form of pity. At least that’s what his brain tells him. “Feel that bad for me, huh?” A soft huff escapes him followed by a small shake of his head. “I’m not going back anyways - no need to go offering something like that.”

So you’d rather live in your car, Billy? Is that it? Than just swallow your pride for five damn seconds and accept help. Not that she knows he’d be living out of his car. She’s better off not knowing.

“I’m not sure.” Yes you are, silly girl. “All I know is, if you leave… everything will be even worse than it was before.” It sounds stupid, for sure, but there is no easier way to say it. Aurora knows getting too sappy would just make him uncomfortable. Much to her relief, it seems like Billy’s changed his mind. She accepts his conditions with a soft chuckle, a bit embarrassed by her own persistency; of course, Aurora is fine with him sleeping wherever he’s comfortable, the couch, the floor, as long she’s still going to see him when morning comes. 

When his arm wraps around her frame, the blonde tiptoes almost instinctively, leaning against his chest. It is new and a bit unexpected of him, yet she doesn’t complain. Her face is warm and definitely red, but still… this feels nice.

“Okay.”

She eventually pulls away, ready to leave with him. Looking up at Billy, Aurora has to remind herself not to wince at Neil’s handiwork all over his features. “Does it hurt a lot?” Of course, it wouldn’t be the first time she’s offered to tend to his wounds - but perhaps it will be the last.

Her words are a foreign language to him. For him to be gone would make her life worse? Brows furrow, Billy not exactly knowing what to do with this sort of information. So much so that he doesn’t comment on it. He, of course, does notice her moving closer with his arm about her waist, however. He’s not stupid. He’s gather Aurora is into him already. Or at least that’s what he’s gathered.

Thoughts are interrupted as she pulls away and is suddenly asking him about his injuries. “Like a bitch.” He’s honest, though his tone is more playful in attempt to stray from the strange sense of awkwardness that’s fallen upon him. An unfamiliar feeling. “My car is nearby; We can get to your place that way.” And he’s already leading her off that way now.

It’s hard to put into words. She wants to be there for him, wants to give him things… even if it’s just empathy and understanding. It seems to Aurora like he has been without those for the best part of his life, and although times haven’t been very kind to her either, the girl still feels bad for him. Guess that’s why, as she follows Billy to his car and takes a seat, Aurora is already wondering about all the ways to make him feel better.

“I was thinking  —  “ She begins shyly. “Once we get those cuts cleaned up… I could make us something to eat.” Is she being desperate again? “You could tell me what you like, we could rent a video or something…” Aurora pauses for a moment, looking down at the tips of her shoes. “Just forget about everything bad for a while, you know.”

classsymemes:

a comprehensive list of scenarios

feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.

1.  GUEST :  for one muse to offer the other a place to stay.
2.  STORM :  for both muses to find shelter from a severe storm.
3.  MEDIC :  for one muse to show up at the other’s doorstep injured.
4.  SURPRISE :  for one muse to come home and find the other already inside.
5.  TRIP :  for both muses to road trip or travel together.
6.  BABYSIT :  for one muse to help the other home while they’re drunk.
7.  INSOMNIA :  for one muse to find the other still awake at 3am.
8.  AMBUSH :  for both characters to come under attack by the same enemy.
9.  DANCE :  for one muse to ask the other to dance at a party.
10.  STRANDED :  for one muse to help the other who’s stranded on the road.
11.  SERVICE :  for one muse to cover the cost of something for the other.
12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event.
13.  DAZE :  for one muse to wake somewhere and find the other hovering over them.
14.  STOWAWAY :  for one muse to find the other hiding on the same ship.
15.  TAXI :  for both muses to share the same taxi ride.
16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle.
17.  LIFEGUARD :  for one muse to rescue the other from drowning.
18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster.
19.  TRANSIT :  for one muse to sit next to the other on a public transport.
20.  SPRAIN :  for one muse to carry the other after spraining their ankle.
21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc.
22.  QUEST :  for one muse to help the other with a task in exchange for compensation.
23.  SOOTHE :  for one muse to calm the other during a panic attack.
24.  RECOVER :  for one muse to return the other’s lost belonging.
25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day.
26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury.
27.  NIGHTMARE :  for one muse to comfort the other after a nightmare.
28.  REUNION :  for one muse to run into the other again after a long time.
29.  PRIZE :  for one muse to win the other a prize at a carnival.
30.  NUDE :  for one muse to walk in on the other while they’re changing.
31.  BED :  for both muses to wake in the same bed, naked or fully clothed.
32.  TRAIL :  for one muse to notice the other has been following them.
33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer.
34.  THIEF :  for one muse to confront the other after having something stolen by them.
35.  CAUGHT :  for one muse to walk in on the other singing / dancing.
36.  FESTIVE :  for both muses to decorate for a special occasion.
37.  PRESENT :  for one muse to give the other a  (birthday)  gift.
38.  WEARY :  for one muse to wake up after falling asleep on the other.
39.  CAPTIVE :  for one muse to hold the other against their will.
40.  SNAP :  for one muse to yell at or push the other out of frustration.
41.  SLEEPOVER :  for one muse to stay the night at the other’s place.
42.  TRESPASS :  for one muse to trespass on the other’s property.
43.  BREAK-IN :  for one muse to discover the other robbing their place.
44.  MERCY :  for both muses to come across an injured animal.
45.  UNKNOWN :  for both muses to wake and find themselves in a strange place.
46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime.
47.  ASTRAY :  for both muses to take a detour and lose their way.
48.  RELAX :  for both muses to share a hot tub or hot spring.
49.  MUSE :  for one muse to model for the other’s art project.
50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event.
51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief.
52.  MEAL :  for both muses to prepare and share a meal together.
53.  CEMETERY :  for one muse to find the other at a gravestone.
54.  REFUGE :  for one muse to shelter the other from enemies.
55.  ARRANGED :  for both muses to date or marry out of convenience.
56.  FAVOR :  for one muse to owe the other a favor.
57.  VACATION :  for both muses to book the same hotel on vacation.
58.  DEFEND :  for one muse to save the other from one or multiple assailants.
59.  CATCH :  for one muse to return the other’s pet that escaped.
60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.